SSB

Single sideband is a form of AM with the carrier and one sideband removed. In normal AM broadcast, the transmitter is rated in terms of the carrier power.

SSB transmitters attempt to eliminate the carrier and one of the sidebands. Therefore, transmitters are rated in PEP [peak envelope power].

With normal voice signals, an SSB transmitter outputs 1/4 to 1/3 PEP.

There are several advantages of using SSB:
• More efficient spectrum utilization
• Less subject to selective fading
• More power can be placed in the intelligence signal
• 10 to 12 dB noise reduction due to bandwidth limiting

AM Modulation Waveforms

These receivers require extremely stable oscillators, good adjacent channel selectivity, and typically use a double conversion technique. Envelope detectors cannot be used since the envelope varies at twice the frequency of the AM envelope.

Stable oscillators are needed since the detected signal is proportional to the difference between the untransmitted carrier and the instantaneous side band. A small shift of 50 Hz makes the received signal unusable.

SSB receivers typically use fixed frequency tuning rather than continuous tuning as found on most radios. The receiver uses crystal oscillators to select the fixed frequency channels.

SSB - Single Sideband - amateur radio

SSSC - Single Sideband Suppresses Carrier - a small pilot carrier is transmitted.

ISB - Independent Sideband - Two separate sidebands with a suppressed carrier. Used in radio telephone

VSB - Vestigial Sideband - A partial second sideband. Used in TV broadcasting

ACSSB - Amplitude Companded SSB

SSB Filter Method
SSB Double Heterodyne Filter Method
SSB Phase Shift Method
SSB Weaver Method

# Single-sideband modulation

Modulation techniques
Analog modulation
AM · SSB · FM · PM · SM
Digital modulation
OOK · FSK · ASK · PSK · QAM
MSK · CPM · PPM · TCM · OFDM
FHSS · DSSS

Single-sideband modulation (SSB) is a refinement of amplitude modulation that more efficiently uses electrical power and bandwidth. It is closely related to vestigial sideband modulation (VSB) (see below).

Amplitude modulation produces a modulated output signal that has twice the bandwidth of the original baseband signal. Single-sideband modulation avoids this bandwidth doubling, and the power wasted on a carrier, at the cost of somewhat increased device complexity.

The first U.S. patent for SSB modulation was applied for on December 1, 1915 by John Renshaw Carson. Patent 1,449,382, titled "Method and Means for Signaling with High Frequency Waves" was awarded to Carson on March 27, 1923 and assigned to AT&T.

The U.S. Navy experimented with SSB over its radio circuits before World War I. [1] [2] SSB first entered commercial service in January 7, 1927 on the longwave transatlantic public radiotelephone circuit between New York and London. The high power SSB transmitters were located at Rocky Point, New York and Rugby, England. The receivers were in very quiet locations in Houlton, Maine and Cupar Scotland.[3]

SSB was also used over long distance telephone lines, as part of a technique known as frequency-division multiplexing (FDM). FDM was pioneered by telephone companies in the 1930s. This enabled many voice channels to be sent down a single physical circuit, for example in L-carrier. SSB allowed channels to be spaced (usually) just 4,000 Hz apart, while offering a speech bandwidth of nominally 300–3,400 Hz.

Amateur radio operators began serious experimentation with SSB after World War II. It has become a de facto standard for long-distance voice radio transmissions since then.

## Signal generation

### Bandpass filtering

Consider an amplitude-modulated signal, which will have two frequency-shifted copies of the modulating signal (the lower one is frequency-inverted) on either side of the remaining carrier wave. These are known as sidebands.

One method of producing an SSB signal is to remove one of the sidebands via filtering, leaving only either the upper sideband (USB) or less commonly the lower sideband (LSB). Most often, the carrier is reduced or removed entirely (suppressed), being referred to in full as single sideband suppressed carrier (SSBSC). Assuming both sidebands are symmetric, which is the case for a normal AM signal, no information is lost in the process. Since the final RF amplification is now concentrated in a single sideband, the effective power output is greater than in normal AM (the carrier and redundant sideband account for well over half of the power output of an AM transmitter). Though SSB uses substantially less bandwidth and power, it cannot be demodulated by a simple envelope detector like standard AM.

### Hartley modulator

An alternate method of generation known as a Hartley modulator, named after R. V. L. Hartley, uses phasing to suppress the unwanted sideband. To generate an SSB signal with this method, two versions of the original signal are generated, mutually 90° out of phase. Each one of these signals is then mixed with carrier waves that are also 90° out of phase with each other. By either adding or subtracting the resulting signals, a lower or upper sideband signal results. A benefit of this approach is to allow an analytical expression for SSB signals, which can be used to understand effects such as synchronous detection of SSB.

Shifting the baseband signal 90° out of phase cannot be done simply by delaying it, as it contains a large range of frequencies. In analog circuits, a phasing network is used. The method was popular in the days of vacuum-tube radios, but later gained a bad reputation due to poorly adjusted commercial implementations. Modulation using this method is again gaining popularity in the homebrew and DSP fields. This method, utilizing the Hilbert transform to phase shift the baseband audio, can be done at low cost with digital circuitry.

### Weaver modulator

Another variation, the Weaver modulator[4], uses only lowpass filters and quadrature mixers, and is a favored method in digital implementations.

In Weaver's method, the band of interest is first translated to be centered at zero, conceptually by modulating a complex exponential exp(jωt) with frequency in the middle of the voiceband, but implemented by a quadrature pair of sine and cosine modulators at that frequency (e.g. 2 kHz). This complex signal or pair of real signals is then lowpass filtered to remove the undesired sideband that is not centered at zero. Then, the single-sideband complex signal centered at zero is upconverted to a real signal, by another pair of quadrature mixers, to the desired center frequency.

### Mathematical highlights

Let $s(t)\,$ be the baseband waveform to be transmitted. Its Fourier transform, $S(f)\,$, is Hermitian symmetrical about the $f=0\,$ axis, because $s(t)\,$ is real-valued. Double sideband modulation of $s(t)\,$ to a radio transmission frequency, $F_c\,$, moves the axis of symmetry to $f=\pm F_c$, and the two sides of each axis are called sidebands.

Let $\widehat s(t)\,$ represent the Hilbert transform of $s(t)\,$.   Then

$s_a(t) = s(t)+j\cdot \widehat s(t)\,$

is a useful mathematical concept, called an analytic signal. The Fourier transform of $s_a(t)\,$ equals $2\cdot S(f)\,$, for $f > 0\,$, but it has no negative-frequency components. So it can be modulated to a radio frequency and produce just a single sideband.

The analytic representation of $\cos(2\pi F_c\cdot t)\,$ is:

$\cos(2\pi F_c\cdot t)+j\cdot \sin(2\pi F_c\cdot t) = e^{j2\pi F_c\cdot t}$   (the equality is Euler's formula)

whose Fourier transform is $\delta(f-F_c)\,$.

When $s_a(t)\,$ is modulated (i.e. multiplied) by $e^{j2\pi F_c\cdot t}\,$, all frequency components are shifted by $+F_c\,$, so there are still no negative-frequency components. Therefore, the complex product is an analytic representation of the single sideband signal:

$s_a(t)\cdot e^{j2\pi F_c\cdot t} = s_{ssb}(t) +j\cdot \widehat s_{ssb}(t) \,$

where $s_{ssb}(t)\,$ is the real-valued, single sideband waveform. Therefore:

 $s_{ssb}(t)\,$ $= Re\big\{s_a(t)\cdot e^{j2\pi F_c\cdot t}\big\}$ $= Re\left\{\ [s(t)+j\cdot \widehat s(t)]\cdot [\cos(2\pi F_c\cdot t)+j\cdot \sin(2\pi F_c\cdot t)]\ \right\}$ $= s(t)\cdot \cos(2\pi F_c\cdot t) - \widehat s(t)\cdot \sin(2\pi F_c\cdot t)\,$

And the "out-of-phase carrier waves" mentioned earlier are evident.

### Lower sideband

$s_a(t)\,$ represents the baseband signal's upper sideband, $s_{+}(t)\,$. It is also possible, and useful, to convey the baseband information using its lower sideband, $s_{-}(t)\,$, which is a mirror image about f=0 Hz. By a general property of the Fourier transform, that symmetry means it is the complex conjugate of $s_{+}(t)\,$:

$s_{-}(t) = s_{+}^*(t) = s_a^*(t) = s(t)-j\cdot \widehat s(t)\,$

Note that:

$s_{+}(t) + s_{-}(t) = 2s(t)\,$

The gain of 2 is a result of defining the analytic signal (one sideband) to have the same total energy as $s(t)\,$ (both sidebands).

As before, the signal is modulated by $e^{j2\pi F_c\cdot t}\,$. The typical $F_c\,$ is large enough that the translated lower sideband (LSB) has no negative-frequency components. Then the result is another analytic signal, whose real part is the actual transmission.

 $s_{lsb}(t)\,$ $= Re\big\{s_a^*(t)\cdot e^{j2\pi F_c\cdot t}\big\}$ $= s(t)\cdot \cos(2\pi F_c\cdot t) + \widehat s(t)\cdot \sin(2\pi F_c\cdot t)\,$

Note that the sum of the two sideband signals is

$2s(t)\cdot cos(2\pi F_c\cdot t)\,$

which is the classic model of suppressed-carrier double sideband AM.

SSB and VSB can also be regarded mathematically as special cases of analog quadrature amplitude modulation.

## Demodulation

The front end of an SSB receiver is similar to that of an AM or FM receiver, consisting of a superheterodyne RF front end that produces a frequency-shifted version of the radio frequency (RF) signal within a standard intermediate frequency (IF) band.

To recover the original signal from the IF SSB signal, the single sideband must be frequency-shifted down to its original range of baseband frequencies, by using a product detector which mixes it with the output of a beat frequency oscillator (BFO). In other words, it is just another stage of heterodyning.

For this to work, the BFO frequency must be accurately adjusted. If the BFO is mis-adjusted, the output signal will be frequency-shifted, making speech sound strange and "Donald Duck"-like, or unintelligible. Some receivers use a carrier recovery system, which attempts to automatically lock on to the exact frequency.

As an example, consider an IF SSB signal centered at frequency $F_{if}\,$ = 45000 Hz. The baseband frequency it needs to be shifted to is $F_b\,$ = 2000 Hz. The BFO output waveform is $cos(2\pi\cdot F_{bfo}\cdot t)\,$. When the signal is multiplied by (aka 'heterodyned with') the BFO waveform, it shifts the signal to  $(F_{if}+F_{bfo})\,$  and to  $|F_{if}-F_{bfo}|\,$, which is known as the beat frequency or image frequency. The objective is to choose an $F_{bfo}\,$ that results in  $|F_{if}-F_{bfo}|=F_b\,$ = 2000 Hz. (The unwanted components at $(F_{if}+F_{bfo})\,$ can be removed by a lowpass filter (for which an output transducer or the human ear may serve)).

Note that there are two choices for $F_{bfo}\,$: 43000 Hz and 47000 Hz, a.k.a. low-side and high-side injection. With high-side injection, the spectral components that were distributed around 45000 Hz will be distributed around 2000 Hz in the reverse order, also known as an inverted spectrum. That is in fact desirable when the IF spectrum is also inverted, because the BFO inversion restores the proper relationships. One reason for that is when the IF spectrum is the output of an inverting stage in the receiver. Another reason is when the SSB signal is actually a lower sideband, instead of an upper sideband. But if both reasons are true, then the IF spectrum in not inverted, and the non-inverting BFO (43000 Hz) should be used.

If $F_{bfo}\,$ is off by a small amount, then the beat frequency is not exactly $F_b\,$, which can lead to the speech distortion mentioned earlier.

## Suppressed carrier SSB

Suppressed carrier SSB modulation is used by ATSC. DSL modems implement suppressed carrier SSB modulation as well.

## Vestigial sideband (VSB)

A vestigial sideband (in radio communication) is a sideband that has been only partly cut off or suppressed. Television broadcasts (in analog video formats) use this method if the video is transmitted in AM, due to the large bandwidth used. It may also be used in digital transmission, such as the ATSC standardized 8-VSB. The Milgo 4400/48 modem (circa 1967) used vestigial sideband and phase-shift keying to provide 4800-bit/s transmission over a 1600 Hz channel.

The video baseband signal used in TV in countries that use NTSC or ATSC has a bandwidth of 6 MHz. To conserve bandwidth, SSB would be desirable, but the video signal has significant low frequency content (average brightness) and has rectangular synchronising pulses. The engineering compromise is vestigial sideband modulation. In vestigial sideband the full upper sideband of bandwidth W2 = 4 MHz is transmitted, but only W1 = 1.25 MHz of the lower sideband is transmitted, along with a carrier. This effectively makes the system AM at low modulation frequencies and SSB at high modulation frequencies. The absence of the lower sideband components at high frequencies must be compensated for, and this is done by the RF and IF filters.

## References

1. ^ http://dj4br.home.t-link.de/ssb1e.htm The History of Single Sideband Modulation, Ing. Peter Weber
2. ^ http://ieeexplore.ieee.org/xpl/freeabs_all.jsp?arnumber=4051940 IEEE, Early History of Single-Sideband Transmission, Oswald, A.A.
3. ^ http://massis.lcs.mit.edu/archives/history/underseas.cables History Of Undersea Cables (1927)
4. ^ "A Third Method of Generation and Detection of Single-Sideband Signals" D K Weaver Jr. Proc. IRE, Dec. 1956